I reviewed Band-in-a-Box 2019 for Mac less than a year ago and, being an “annual-update-skeptic” wondered about reviewing it again so soon. No need to wonder — Band-in-a-Box 2020 for Mac is a fantastic leap forward!
Of course we can expect all sorts of additional RealTracks and instruments and styles, and there are many!, but the additions this year are so focused on truly upping your musical game that it seems almost like a new product. And it replaces the need for some other software and hardware, which I will get to but for now it seems like “Good-bye” to my Digitech Vocalist Live 4 harmony generator.
And before I go any further (in case you stop reading and decide to just buy it) I have to add that my online chats with Sales Support were some of the most pleasant interactions I have ever had with a vendor, even BEFORE it became obvious that I was a reviewer! Amidst ever more shattered nerves than usual, especially for support workers, I was able to have all of my questions answered politely and correctly (even a few moronic ones) and had all of my issues resolved before the chat had ended. Support such as this is rare but it seems to be a feature of the BiaB “family”, as I will mention later with my comments on Stelios Panos, a transcriber of great jazz performances for, and reseller of Band-in-a-Box products.
One of the best, most crucial additions is the Feature Browser. Crucial because there are so many new features that even experienced users are liable to need a reminder sometimes, and this is much more. It begins with a list of features from which you can choose, or you can type one in. It tells you the basic information about the feature you enter with buttons to take you to the manual page for that feature and also a video button if it is one of the features that has a video for it. It also displays the Tool Bar on which it is found, its Hot Key if there is one, where it is on the Main Window (if it’s there), and other ways to launch it. If it has its own window with options and other choices, this is displayed as well.
But that’s not all. You can choose the type of features you are looking for by entering, say, “guitar”. This gives you all features that relate to the guitar. Or “video” to find all features that have a video on them.
Getting to the Feature Browser is easy too. If the chord window is open, just type “/” and Enter, instead of a chord. Or, with the Main Window click on the “?” button in maximized view, or in the Misc tab if in Compact view.
This is a terrific feature for a program with so many great features. We tend to know those that we use the most, but sometimes forget about those that could make our work easier or improve our music. Plus you no longer have to feel guilty for not reading the manual.
Try this yourself by calling it up, typing chord, then adding “builder” for the “chord builder” feature to really show what it can do.
Find BEST SUB
Cmd-click or right-click on track button in the mixer > Select RealTracks > Find Best Sub. Not only do you get a long list of possible RealTrack substitutes, but the best ones are close to the top. Each works well with the whole song, but gives you different ways to explore it with different musical styles and genres, especially if you pick a different player. However, even choosing the same player gives you insight into the subtle changes that can be used by the same person in a different performance but retaining their personal style.
You can even change to a RealTrack if the current track doesn’t have one. Here you can choose a RealTrack, and choosing “All” gives you a bunch of new options to change even the type of instrument, and I really like the option to choose a family of instruments so that you can try out, say, all sorts of different guitars for a part (and there are a lot of guitars). You can even open an Artist Bio to learn about the player, and once in that browser you can choose any artist to learn more about them. Just one more example of the enhanced usability that has been added throughout this entire release.
Drag-and-Drop File Opening
I particularly like the drag-and-drop file opening, which simplifies all the choices if you just want, say, to load a basic MIDI file to start working on it. Not just BiaB files are supported, but audio, MIDI, and more. If you have a lot of files and need to search for the one you want, it’s nice to be able to just drag it into the app. This improves your workflow and lowers your blood pressure.
Having more than one window open can be a real time-saver. Using the new multi-window display you can easily enter barlines in the audio window with the chord window still open. The demo of this process is particularly interesting, at just before the 27:00 mark of the BB2020 for Mac video referenced earlier. You can enter barlines to fix tracks that were not recorded with a click track by entering the correct spot for a few barlines. I won’t transcribe the process here, but I urge you to watch the video to see how easy it is to correct the timing of a song, as well as to find out how far the tempo changes over time (a lot of performers speed up over the course of an exciting song, or slow down in a bluesy one). Of course, you may want just a little deviance which gives a more human feel to some tracks, while others really do call for a “metronomic” beat. This is especially helpful for tightening up quick demos or just a band’s bad days’ work.
One standard audio recording trick is to have multiple copies of a single track to give it a “thicker” sound. For example, many singers use double-tracking to make their voices sound better. John Lennon disliked this finicky process so much in the pre-digital age that the EMI engineers created ADT (Artificial Double-Tracking) to create a second copy of the original recording, slightly different by speeding up and slowing down slightly. Like the more modern digital recording studios, Band-in-a-Box now lets you use multiple copies of the same RealTrack on a single track, thickening it further by changing the panning of each (and usually lowering the volume as well). You can even add a different, related RealTrack for greater authenticity. I really like the demo that uses the _GLORY style thickened, as shown in the video on BB2020 for Mac. The soloist really adds to the depth and realism of the choir.
Note that the video was adapted from the Windows version that has been on the PG Music site for a while now, and there are a few references to Windows that creep in here and there. Remember to substitute Command-click (or right-click) for Ctrl-click, and Finder for Windows Explorer. The folders mentioned are correct, at least those that I have double-checked.
Thickening is really an extended application of the “Medley” feature where several instruments could “take turns” on one track; now they can play all together.
There are several different ways to start and use thickening:
1) pick a style that uses it (often with “thickened in the name)
2) pick a track from the RealTrack picker that has it applied to it
3) apply it yourself to any RealTrack that you like
There are great additions for blues and other styles with thickened horns forming sections in some truly great styles.
Many of the new features are particularly useful for guitar and some are specific to it. For example, you now have FOUR different views of the Fretboard Window: the regular right-handed one, the new left-handed view, the student view (as if you are sitting across from your teacher looking at their fretboard), and the student view for a left-handed guitarist.
Jazz guitarists will love the new Rhythm Changes and Jazz Blues RealTracks, the two most important progressions for any jazz player. Combine this with Find Best Sub and you have a serious jazz guitar learning environment.
Other genres are not skimped on. There are great 60’s, 70’s, and 80’s rock guitar styles, and the low-tuned metal styles are amazing with some thickening added to them. Double that for baritone guitar! And many of the new Country and Old-Time Americana styles will open your ears and styles to different and even “exotic” stringed instruments. And speaking of exotic, there are also new Latin American “island” styles and instruments for authentic Latin grooves including soka, merengue, and more. (But personally, I was most impressed by the new Blues RealTracks that really kick it. Maybe it’s my age showing?)
Eliminate Note Overlap
Better control of overlapping notes is vital for getting a true guitar sound. In this version, if you have different guitar strings on different channels you can stop notes on the same string from overlapping but leave notes on different strings ringing through. Fingerstyle players will now be able to accurately write and hear Chet Atkins-style “banjo-roll” runs, while any stylist can combine arpeggios with single-line parts and have the strings ring appropriately. A great addition.
Enhanced Notation Editing
While previous versions had the N hotkey for adding notes, the new M hotkey allows the addition of harmony to an existing note. The note is first presented as a 3rd above, but can be changed using the up / down arrow keys. The R hotkey lets you choose a rest.
So Many More Great Features
The program now automatically checks the key signature and warns you if your song material doesn’t match that key.
Files can now be saved as .xml, .mxl (compressed format), and .musicxml. This last one, musicxml, is particularly useful for guitarists, saving hammer-ons, pull-offs, and slides.
The intro can now be just drums, or just bass and drums and the notation will reflect that.
You will also be impressed by the larger range of singer-songwriter styles that will really fire your imagination.
Multi-Riffs is now available in the full Band-in-a-Box (previously it was just in the plug-in). This creates 7 different “takes” of a section or entire part (like an automated version of a Logic “Takes folder”). These can be used to find the most suitable one, or combined (comped) to make a “best” version from parts of each.
Audio time-stretching has been enhanced to give much more realistic sound easier.
Chord Search has several enhancements such as letting you choose the level of exactness for your progression.
There are also enhancements to chord search,, and many enhancements and additions to RealDrums including many more notated ones.
Several user requests have been incorporated as well, including: drag from mixer to drop station; new options for bit depth and sample rate (as well as in main render dialog); customized track are shown with an “=”, settings in style are ignored for these as well; bar settings dialog lets you change them from within the dialog; new content is displayed when you start the program, with the option to download it before you get into your work flow, and many more.
The Band-in-a-Box Plug-in is still free with BB2020 and, of course, improved. It works pretty much like BiaB in your DAW, where you can drag the tracks you create in it into the DAW and process them there. You can harmonize in the plug-in and drag back to DAW either a track generated in the plug-in or its harmony in 3rds, 6ths, or both.
But you don’t have to drag any tracks into the DAW to hear them. You can play the music from the plug-in along with the tracks in the DAW merely by sync’ing them!
If you are one of the MANY fans of Stelios Panos, or are a jazz guitarist interested in the Jazz Guitar Masters, check out his “Django-in-a-Box” web site where you can find special deals on bundles of his transcriptions with Band-in-a-box for sale, as well as a page of videos that demonstrate several of his transcriptions as well as display their usage of various features in BiaB.On top of this, you get Skype support after buying a bundle from Mr. Panos! Special bundles that include ALL of the Jazz Greats transcriptions (including Charlie Parker, Miles Davis, Chet Baker, and Louis Armstrong)are on this page, while a special “guitarists only” set that includes even the recent transcriptions of Johnny Smith and Tal Farlow is here. If you have any more questions, need support, or just want to thank Stelois Panos for his outstanding work you can contact him here.
IN SUMMARY: Band-in-a-Box 2020 is a huge advance over even BB2019, with easier to use, more powerful features that give you more information while creating more musical results. You have never had more control of more features which are now much easier to find. The move forward with this version is astonishing. Again … WOW!
My very highest recommendation. Just upgrade! Or if for some strange reason you don’t have it yet, BUY THIS ONE! It will change your musical life!