Today Dorico announced the release of version 1.2.10, a relatively minor update except for the continuing expansion of percussion capabilities and some other goodies. Of course, for Dorico even a “minor” update contains all sorts of improvements. A great review of the complete percussion suite plus the new features is available at Scoring Notes and is well worth reading. And as usual, Daniel Spreadbury gives a detailed look at the new features on his blog here. Basically, any style of notating percussion can be used or accommodated, a tour de force of music-based programming.
Existing Dorico users can download the update here. The same page has documentation.
Here’s a sample of their drum kit editor. You can move each drum to the line or space you prefer:
A few more examples of the vast array of options in notating percussion. These features are demonstrated by John Barron on Discovering Dorico, his monthly vlog on YouTube. Of particular interest is the number of instruments that you can assign to a single player, and how Dorico can handle different notational styles within the same part. You can see this demonstrated in February’s edition of Discover Dorico here.
Possibly the most interesting note on Daniel Spreadbury’s blog comes at the very end, where he notes that this is the last planned free update, so users will have to pay for the next one. So I will say one last time: if you have not yet bought Dorico, you can download the trial version and see exactly what you will be buying if you purchase it now. Download the full free 30-day trial version here.
I regret to say that there is still no support for guitar tablature or chord diagrams. I know how disappointing that is for many of us, and it looks like we will have to pay for it when it does eventually get added to Dorico. This has certainly come as a surprise to me, and please don’t ask me to explain why (as several of you have) because I don’t know. I can guess that it is difficult to implement without infringing on the copyright of the team’s own previous work in Sibelius, but that is pure speculation. For now, I am doing my guitar and bass projects in Sibelius (7.1.3 as much as I can, 7.5 when I must).
As sad as that is for guitarists, it is the one flaw in what is truly one of the most remarkable pieces of software I have ever had the pleasure of working with. If you work with any ensemble (even one that includes a guitar part that can be expressed as chord names) you really owe it to yourself to check out this amazing program. I still can’t get over being able to keep an entire multi-movement work in a single file, and show composers must be in heaven. And that just one of hundreds of features that makes Dorico the finest notation program yet devised.
My apologies for my long silence, but health issues just keep popping up. I have been saving up some good stuff for the next week or so, including the purchase of MuseScore, some cool new Play-Alongs from Hal Leonard, and a new kind of book layout that lets you be the whole band through some clever arrangement and a looper pedal.