I am glad to see that so many of my friends from Just Jazz Guitar have taken the time to email me about this blog. I welcome all of your email, even (sometimes especially) the critical ones.
Many of you are waiting for tablature to be implemented in Dorico, and so far it is not in Dorico Pro 2. The “Clefs” menu includes “TAB6” and “TAB4” but at this time they just create the standard “TAB” as the clef but do not adjust the lines to become “strings”; if you create a guitar player you get the five line staff and notes, not numbers.
However, one new feature that you have asked for has shown up: Slash Notation. This allows the composer or arranger to specify the chord and rhythm to be used, but the voicing is left up to the player. John Barron discusses Slash Notation in the May 2018 edition of Discover Dorico on YouTube, so I thought I would show you how I used it to re-create a very interesting timing issue in a classic song, Jimi Hendrix‘s version of All Along the Watchtower. If you have tried to play this with a band, or even paid close attention to the timing, something sounds wrong when you use most standard sheet music.
The secret is that Jimi used anticipation chords on the eighth-note before the downbeat of each bar, and then accented the first three chords of the following bar. This gives the proper accent to the downbeat, which does NOT coincide with the chord change. A good place to see this (as well as the solos in the song) is in Hal Leonard’s “Signature Licks” series Jimi Hendrix: Volume 2 by Chad Johnson. Chad does outstanding transcriptions, so I thought it would be worthwhile to try to reproduce the first 4 bars of the song:
Here I created a “slash voice” from the Write menu in Write Mode. There are a couple of interesting things here. First, the slash notation displays on the middle line. Although it is displaying slashes, I am actually typing notes but getting just the slash noteheads, which I want. However, some stems go down and others go up. This might have been OK, but I have chosen to notate the guitar that plays the rhythm pattern at first, then plays the lead (the three notes at the end are the start of it). This is a great feature: you can combine slash notation and regular notation in a single voice, or so it seems when entering it. But you can see in that final bar that rests fill in the bar for the notes, while under them rests fill out the slash notation.
My first decision was to force all stems up. I did this from the Edit menus in Write Mode.
Next I selected all slashes and moved them up to the top of the staff. I had to choose each slash individually. There may be an easier way to select them but Select All is not it. Choosing the rests kept it from working for some reason I do not understand, but it looks OK so far.
Finally, I added the chord names. Usually you would do this earlier but since the whole idea was using slashes, I figured I’d make sure they worked OK first. I also added the accents on the first three notes of each bar. The documentation says that the accents are attached to the noteheads but you can see that in the last bar they are on top of the stems, probably because the note voice is considered the lower one (at least now that I have moved the slashes up; it was the higher voice earlier). If you do compare this to the Hal Leonard book, you will see that the slashes in Dorico are not at such a steep angle, so that while both of them place the chord name over the notehead of the slash, they tend to cover the whole thing in the book, while Dorico puts them directly over the notehead (e.g. the B chords above).
Of course there is more tidying up you can do, like hiding some of the rests in the last bar. And I must admit that this is a bit of a “cheat” since in the HL book the slashes float above the staff and are clearly separate. In Dorico I had to move them to the G above the staff; any higher and I started getting ledger lines, which I did not want. Still, this is a constructed example, since most slash parts are just slashes, and Dorico does those very easily. The notes are a different story. There are no guitar notations to show the slide into the first note, nor the bend to the third note.
Of course the guitar is not the only instrument that plays from slash notation, but it is a very handy feature for guitarists. Given the level of interest in guitar-related features, I thought this was a good place to start looking at Dorico Pro 2.